The worlds of indie, hip hop, and EDM team up for one of the best remixes (and live performances) of 2016.
♩ Hundred Waters – Show Me Love (Skrillex remix, ft. Chance The Rapper, Moses Sumney, and Robin Hannibal) [single]
The worlds of indie, hip hop, and EDM team up for one of the best remixes (and live performances) of 2016.
♩ Hundred Waters – Show Me Love (Skrillex remix, ft. Chance The Rapper, Moses Sumney, and Robin Hannibal) [single]
The worlds of indie, hip hop, and EDM team up for one of the best remixes (and live performances) of the year. And after the shit show of an election we just suffered through, we deserve more love and happiness.
Hundred Waters’ Nicole Miglis explains –
This song was literally a journal entry I wrote to myself a few years ago, so seeing it become something bigger in the context of everyone involved was really special.
Skrillex adds –
It’s all about love and positivity, what this world really needs right now. I want to thank all of the artists in the world going out of their way to make people’s lives better and happier through creating and sharing their art.
♩ Hundred Waters – Show Me Love (Skrillex remix, ft. Chance The Rapper, Moses Sumney, and Robin Hannibal) [single]
[hundred-waters.com] + [chanceraps.com] + [skrillex.com]
Seriously. How lucky are we to have an artist like Beck making music? Very few artists are as versatile as Beck. One day he’s winning a much deserved Album of the Year Grammy for 2014’s Morning Phase as “sad Beck” and the next he’s dropping this banger on us. Easily this year’s song of Summer
♩ Beck – Wow [single]
[beck.com]
Brian Eno sings!
♩ The Gift – Love Without Violins (ft. Brian Eno) [single]
[thegift.pt]
Big Boi + Phantogram = Big Grams
The seven-track EP, out September 25 via Epic, features guest appearances from Run the Jewels and Skrillex. “Fell in the Sun” will premiere on Zane Lowe’s Beats 1 radio show today tomorrow (via Pitchfork).
01 Run for Your Life
02 Lights On
03 Fell In The Sun
04 Put It On Her
05 Goldmine Junkie
06 Born To Shine [ft. Run the Jewels]
07 Drum Machine [ft. Skrillex]
[bigboi.com] + [phantogram.com]
It’s been three plus days since Outside Lands came to an end and i’ve needed every minute of it to fully recover. This was my first legitimate music festival and it was a lot to take in. With that said, I would do it all over again this weekend if I could. I had so much fun last weekend, not even the total lack of sleep, the nightly struggles of finding my way home, the $9 beers, or the bird that shat in my eye Friday night will keep me from attending next year. And THANK GOD for San Francisco’s signature fog and below normal temps, I don’t think I could’ve survived three days of this with the burning sun and scorching heat. So without further ado, a few of my fondest memories from Outside Lands 2012.

Sigur Rós was the sole reason I purchased tickets this year. Every other band on the bill was an added bonus. I’ve wanted to see Jonsi and company live since my first listen and they did not disappoint one bit. High points: “Hoppípolla”, segued into “Með blóðnasir” and the lovely gals to my left that gave my freezing wife their blanket. Low points: the hour set was not merely enough…but at least I have another reason to see them headline their own tour. Listen to Sigur Rós’ entire set on spotify here.

And though an hour wasn’t enough for Sigur Rós, it was plenty of time to convince me that Jack White is rock incarnate, not to say I wouldn’t have enjoyed a longer set. High points: Kickin’ the set off with Little Willie John’s “I’m Shakin”, wrapping things up with “Catch Hell Blues”, segued into some song called “Seven Nation Army”, and some spot on stage banter — “you’ve all been wonderful and i’ve been Jack White”. Low points: again, the hour set felt too short and I was really hoping for a mini Dead Weather reunion with Alison Mosshart…and I wish I would have been lucky enough to catch his pop-up set in the woodsy food-truck forest [good thing someone put it on youtube]. Listen to Jack’s entire set on spotify here.

Speaking of Alison Mosshart, how f-ing rad are The Kills? Alison, along with Jamie Hince, completely owned the main stage with their minimalist rock and swagger. High points: “Baby Says” and the huge leopard print backdrop. Low points: i had to skip out early to catch Passion Pit, which forced me to miss “The Last Goodbye”, which is probably my personal favorite. Listen to The Kills’ entire set on spotify here.
Passion Pit’s set was one of the most fun. By this time, my little caravan was 10 people deep and everyone was in fantastic mood…which may have been due to the fact that Wine Lands and Beer Camp were on the way to the Twin Peaks stage. High points: I’m pretty sure Gossamer was made to be played live, especially “Take a Walk”. I definitely got my dance on here. Low points: volume was way too low. Listen to Passion Pit’s entire set on spotify here.
While enjoying a delicious, and festival exclusive, “Outside Lands Saison” at Sierra Nevada’s Beer Camp, I was able to catch most of Father John Misty’s set. Though it was one of the smaller crowds, it was definitely the most chill and one I enjoyed immensely. High points: “Hollywood Forever Cemetery Sings” is even better live. Low points: my friends got lost in Wine Lands and missed out. Listen to Father John Misty’s entire set on spotify here.
I’ve been a fan of Alabama Shakes ever since I first heard “You Ain’t Alone” and their name was still the Shakes. I knew they were in for a big 2012 and would be a popular show, but I never expected the crazy huge crowd their set attracted. High point: this band deserved to be on the main stage and they proved it. Low point: this band deserved to be on the main stage and they weren’t. Listen to most of Alabama Shakes’ setlist on spotify here.
Regina Spektor was definitely an unexpected treat. Her voice is even more stunning live and was definitely the cutest thing in Golden Gate Park all weekend (other than my lovely wife of course). High points: “On The Radio”, “Fidelity”, the mouth noises for “All the Rowboats”, and taking full advantage of my blanket for the entire hour (thank you Ethel for the blanket recommendation). Low points: honestly, can’t really thing of any, other than missing out on Electric Guest and Amadou & Mariam, the latter of which I heard was one of the best sets throughout the entire festival.
I got to watch Stevie Wonder play music for 2 full hours. My parents haven’t even seen Stevie Wonder live. He was amazing. High points: every single minute of his set. Low points: n/a.
A few more tid bits…
I should’ve eaten way more food. I didn’t even try one of the many delicious offerings until late Sunday night.
This is the second time i’ve seen Zola Jesus live and her voice was just as amazing. Unfortunately, I only caught the second half of her set and completely missed out on Yellow Ostrich. My lucky wife was able to catch a special backstage performance of “Marathon Runner” in one of the VIP areas.
Would’ve loved to see more of Bloc Party’s set, but it was a small price to pay to catch all of Stevie’s 2-hour sing-a-long.
Though I really wanted to see Neil Patrick Harris and Big Boi, it was well worth it to catch Explosions In the Sky instead. Why haven’t these guys scored more films?
Bummed I skipped out on Washed Out to catch a few minutes of Neil Young. I know, I know, Mr. Young is a rock legend and I’m happy to say I’ve seen him live, but the 2 minutes of Washed Out I did hear were soooo good.
It never crossed my mind to leave Stevie Wonder early for Skrillex, but the mixture of fog and lights over at the Twin Peaks stage were quite enticing. It looked like aliens were invading Tron.
Foo Fighters played “Everlong” and Brendan allowed me to sing-a-long with him.
Turn the volume up at the Twin Peaks stage. Passion Pit and Justice were not nearly loud enough.
And speaking of Justice, their closing set Friday night saved me. I don’t think I would’ve made it home that night without the energy I got from their set.
And last, but certainly not least, BIG THANKS to everybody that had anything to do with making Outside Lands a reality. I’ll see you next year.