Tag Archives: on the rise

[on the rise] Trails and Ways

photo magic credits to Alex Khomyakov via facebook

I must admit, this post is long overdue.  Along with the rest of the blogosphere, I’ve been obsessing over Trails and Ways for the last couple of months, so i’m a little confused on why I waited this long to spread the love.  Oh well, better late than never.

Hailing from Oakland, CA, this quartet is producing some of the most infectious dream pop (or in the band’s own words “bossa nova dream pop”) i’ve heard in some time.  They’re premiering a brand new track, “Border Crosser”, tomorrow (Monday, 10/22) over on Indie Shuffle and i’ve heard rumblings of some upcoming shows in SF and LA.  I don’t really know much of anything  in regards to a full-length, but i highly doubt one’s not in the works and i expect news on it’s release sooner than later.  In the meantime, head on over to the band’s SoundCloud page and enjoy the plethora of fantastic tracks, including their take on Miike Snow’s “Animal” and M83’s “Midnight City”.  If you only have time for one track, you must listen to “Mtn Tune”, by far the band’s standout track and easily my favorite.

web//facebook//twitter//shows//iTunes

[on the rise] The Faults

Some good ol’ fashion garage rock to kick off your weekend.  Sydney duo Tom and Oli, otherwise known as The Faults, are making quite the name for themselves.  I’ve heard them compared to both The Strokes and The White Stripes, which is quite the compliment.  After the warm reception of their first self-titled EP, Tom and Oli are back with their sophomore EP Patients.  I’ve been listening to “Leather Jacket” and the title track “Patients” (which you can download for free via bandcamp) a lot this week and i’m hooked.  Patients is due out November 16th and I’m crossing my fingers for a full-length the near future (and some US shows would be nice as well).

facebook//shows//bandcamp

[on the rise] Desert Stars

Desert Stars are a Brooklyn 5piece and i’m obsessed.  They remind me somewhat of Beach House, Frankie Rose, and Letting Up Despite Great Faults, but with a very distinct dreamy/shoegaze/lo fi sound, due in large part to Janelle Best’s impressive lead vocals.  As far as I can tell, the “Boys I Like/Farewell Decade” 7 inch split is their only official release, but they are currently in the studio recording their debut full-length due out Spring 2013.  In the meantime, enjoy the tracks and video for “Boys I Like” below, then head on over to their bandcamp page and show your support.  There’s a definite buzz growing in the blogosphere and I expect big things for Desert Stars.

 

desertstarsband.com//facebook//twitter//tumblr//shows//bandcamp

[on the rise] Holy Esque

After forming (barely) a year ago, young Scottish indie rockers Holy Esque are set to release their debut EP later next month.

Hailing from Glasgow, the band began playing shows throughout the UK, including some shows with WU LYF.  The buzz generated from these shows, along with posting a few demos online, gave rise to more and more coverage, including a feature on NME’s Radar Tip Of The Day, which writes “Holy Esque really benefit from that everything up to ten factor, but also know their way around a riff that kinda sounds like classic Bunnymen played by James Dean Bradfield….you’ll be needing to play this loud.”

The self-titled Ep is due out April 23rd and even though it’s a mere 4 tracks, ambitious cuts like “Rose” (streaming below) and “Prophet of Privilege”, make it the perfect introduction to one of Glasgow’s most promising young acts.

Holy Esque//Rose

facebook
twitter

p.s. Lucky UK residents can catch the group live for a series of shows to celebrate the EP’s release (dates).


[on the rise] Kitty Clementine

Sydney’s unique soul-pop vocalist Kitty Clementine will release her debut self-titled album via Clumpty Records on March 6th. But, who is Kitty Clementine?

She began in the underworld of Sydney’s artist-run spaces, warehouses and speakeasies. She could be singing a jazz ballad one moment, a baroque aria the next, and screaming indeterminate noise for the encore. She was known for giving performances comprising of song, spoken word poetry, and performance art. She directed bands built out of hybrid instruments, junk percussion, and choirs. Though many knew her for these off-the-wall productions, few realized where she came from.

On her sixth birthday the family left South Africa. By this time she had already declared that when she grew up she was going to be a singer and a writer. The girl wrote her first song at eight, and never stopped. She studied baroque and opera through high school; performance, musicology and composition when she left; and finally was accepted into Sydney Conservatorium of Music’s Jazz Degree. “It was there that my mentor taught me something life-changing: In order to truly master your art form, it must be lived, not just studied.” So, supported by her mentor, she left the Conservatorium and took on the musical life.

I had nothing to lose.
I took a chance on whim and embarked on my dream.

The journey began with a plane ticket to New Orleans. She had two months in North America with little money, and no plans except to embrace every experience and use it to write enough material for an album. The trip took her from the bawdy bars and tattoo parlors of the French quarter, on a journey that had her hitching through Alabama, North Carolina, up to Seattle, through San Francisco and eventually back to Los Angeles.

Kitty Clementine arrived in LA off the back of a pickup truck, with a book full of new songs, to a serendipitous week in Jeff Bova’s studio. Together they laid down an album in seven days.

I am Kitty Clementine. I make reality magical and I run hot on the heels of revelry. I am sharp, I am fierce, and I have stories you won’t believe. So fluff up your feathers and run the road. Be brave and wild with me.

Kitty Clementine – Blow That Horn (from Kitty Clementine LP)

More Kitty Clementine:
website
facebook
twitter
soundcloud
iTunes

[source: planetary group]