Category Archives: music

Mid-Week Mixtape: 2/16/11

Here are the tunes making my work week that much more enjoyable, and in honor of Arcade Fire’s big Grammy win last Sunday, this week’s mix-tape consists of some of my favorite cover versions from the Canadian indie-rock outfit’s impressive repertoire.

Enjoy!

Ace Reporter – We Used To Wait (Arcade Fire cover)
Action Camp – Crown of Love (Arcade Fire cover)
Benjamin Francis Leftwich – Rebellion (Arcade Fire cover)
John Legend & The Roots – Wake Up (Arcade Fire cover)
Paolo Nutini – Wake Up (Arcade Fire cover)
Sara Lov – My Body Is A Cage (Arcade Fire cover)
Williamburg Salsa Orchestra – Keep the Car Running (Arcade Fire cover)

[on the rise] Heinali and Matt Finney

Of all the music submissions i’ve received, this duo is definitely one of the more original and interesting acts to ever contact me.

Heinali and Matt Finney consists of Ukrainian Composer, Heinali, and Alabama-based, American spoken word artist/poet, Matt Finney.  It’s not fair to classify them as one defining genre…and really hard to if you even tried.  Their music is a mix of ambient, drone, doomgaze, and spoken word, with a lot of cinematic textures as well.  The best way for me to describe their sound is “intense creative passion”.

The duo has released three critically acclaimed EPs (stream them here) and showed up on many 2010 year end lists (see what thedumbingofamerica.net thought).  More recently, they signed with Paradigms Recordings and are currently working on their fourth album.

While we wait for the latest from Heinali and Matt Finney, be sure to visit their bandcamp page, where you can stream most of their music and even download two excellent covers (Radiohead’s Creep and Joy Division’s Candidate).  And be sure to check out the Freddie Lloyd directed video for Under God’s Heaven below.

Grammys 2011: Thoughts and Recollections

I’m shocked!  The winner of Grammys’ biggest award, Album of the Year, went to Arcade Fire’s The Suburbs.  Why the shock?  Because the Grammy’s are notorious for handing out awards to the same old rubbish, year after year.

It’s almost a given that whichever artist sold the most records and/or had the most songs overplayed on the radio wins.  True, the Grammys do always seem to nominate somewhat lesser know, smaller sales, alt-indie acts (such as Radiohead, Gnarls Barkley, The White Stripes, Beck…all Album of the Year nominees, zero wins), but these nominations don’t do anything but get my hopes up.

But this year, the Grammys got one right.  Finally, the Grammys showed some backbone and selected an album that is truly worthy of being called Album of the Year, and not simply because it had the highest sales (Eminem’s Recovery has sold over 4 million copies, while The Suburbs has sold just under 500,000).

Unfortunately, I’m guessing when it’s time for Grammys 2012, they’ll be back to their silly ways.  A bunch of negative nancies with nothing better to do, including the walking trash bag Rosie O’Donnel, are giving their two-cents for why Arcade Fire don’t deserve the big win.  Check out the site one of these derelicts started (warning: if you’re a fan of Arcade Fire, this site will do nothing but piss you off): http://whoisarcadefire.tumblr.com/.

Anyways, F those peeps and congratulations Arcade Fire, you definitely deserve it!  Now a few more thoughts from last nights show.

1. I love the song, but can somebody explain to me why Empire State of Mind, a song that was released in October of 2009, won this years Grammy for Best Rap Song?  Especially considering that Jay -Z won the same award the year before, with a song from the same album (Blueprint 3.0)?

2. What was the point of having Matthew Morrison, Esperanza Spalding, and a full jazz band on stage to talk about about community service programs?

3. Best New Artist?  Esperanza Spalding (big congrats by the way!) has released 10 albums since 2001 (3 as a leader).  Mumford & Suns and Florence and the Machine both released albums in 2009.  Hey Grammys, there’s this thing called the internet that makes it particularly easy to discover new music.  Maybe you should look into it.

4. Hey Justin Bieber, during your performance it looked like one of your ninja’s took a bad fall on his back, is he okay?

5. Hey Lady Gaga, Madonna wants her B-Side back.

6. If it makes you feel better Eminem, I did like Recovery.  It was a heck of a lot better than your last 2 releases.

7. Dear Barbara Streisand, either you don’t know how to read or you’re just a bitch…i’m going with the latter.

http://www.youtube.com/watch?v=qbCmiCVNkw0

[on repeat] The Dears

The good people at Hype Machine were generous enough to have the latest release from Canadian indie rock band, The Dears, available to stream in it’s entirety, and after my first listen of Degeneration Street, I remembered how deserving of the band is to be compared to the likes of Radiohead, Damon Albarn, and even Morrissey.

Degeneration Street marks the fifth studio album by the Canadian rockers and features a vast collection of orchestral, dark pop and passionate tracks that can only be produced by a band like The Dears—a band dedicated to creating music.

My personal favorite from the new album (at least right now) is the superb leadoff track, Omega Dog (check it out below), but other highlights include Thrones, Blood, Lamentation, and Stick With Me Kid.

Degeneration Street will be available February 15th (buy it here) and the band is currently on tour in support of the new release (dates and info here).

The Dears – Omega Dog

Sasquatch! 2011

The wait is over.  The official lineup for Sasquatch! 2011 is here.

The big names are a plenty (Foo Fighters, Death Cab for Cutie, The Decemberists, Modest Mouse, Wilco…to name a few), but it’s the slightly-lesser known artists and acts that make this lineup fantastic (Robyn, Beach House, Sleigh Bells, Das Racist, Radio Department, Best Coast, Surfer Blood, The Drums, Matt & Kim, Yeasayer, and more)!

And if the lineup wasn’t good enough news for you, in honor of the festival’s ten year anniversary Sasquatch! 2011 will continue on for a fourth day, running from Friday, May 27th through Monday, May 30th at the Gorge Amphitheatre (in George, WA).

Four day passes will run you $285 (not including parking) and are available for purchase here, while individual day tickets will go on sale Monday, February 14 at 10 am.

Will I see you there?